Red River Red Readings of 2005
Alright, there's no turning back now. I planned to use this space to write about a couple of books I've read in this first month of 2006, but instead, I'm now going to obsessively list and briefly review every book I read in 2005. I should be forcibly committed soon after, so this may be my last communication as a free man. The books are listed chronologically, in order of my completion of them:
1), Vermeer in Bosnia, by Lawrence Wechsler - This wonderful book of previously published essays combines cultural criticism and political analysis as only the best public intellectuals can: think Sontag, Edward Said, Cornel West, the Red River Red, Groucho Marx. The title essay refers to the trial of Yugoslavian war criminals, while other highlights include profiles of Roman Polanski and graphic novelist Art Spiegelman.
2), Bad Bet on the Bayou, by Tyler Bridges - The sordid tale of casino gambling coming to Louisiana and the long-sought conviction of Edwin Edwards is detailed in this meticulously researched book an accomplished journalist. Byzantine.
3), War is a Force That Gives Us Meaning, by Chris Hedges - A veteran foreign correspondent gives us a profound meditation of the social and psychological uses of war. My wife and I gave a copy of this to our nephew just before he shipped out with the Air Force. He's in Iraq now. Who knows what became of the book.
4), Homegrown Democrat, by Garrison Keillor - My initial aversion to Keillor's homespun homilies were gradually worn down by the quality of musical guests on his show. Then he published a passionate, angry, grief-inspired denunciation of Minnesota Republican Senator Norm Coleman, who capitalized on the death of Paul Wellstone, replacing the most important antiwar voice in this country with another stupid hack politician. I cried when I heard about the death of Paul Wellstone on the radio, and Keillor's eloquent rage won me over to his corner. This book is conversational and anecdotal, a good explication of the decent Midwestern liberalism that has given us politicians like Adlai Stevenson, the late Gene McCarthy, George McGovern, Wellstone and Russ Feingold.
5), Outwitting History, by Aaron Lansky - Maybe my favorite book of last year. Lansky works for an archive collecting as many of the important Yiddish texts as possible before the language, once the primary one for many Eastern European Jews, dies. Yiddish was also very much the language of Jewish radicalism in both Europe and among immigrants to North America, and Lansky provides vivid portraits of intellectually and politically engaged liberals, social democrats, socialists, communists and anarchists debating and squabbling well into their 90's. The portrait of 20th-century Jewish immigrant culture, with its language and literature and food and causes, is intoxicating, exhilarating, touching. I need to read this one again.
6), Dixie Lullaby, by Mark Kemp - This is a music journalist's memoir, basically through the prism of his passionate but ambiguous feelings about his southern upbringing and the music that accompanied it, Lynyrd Skynyrd and the Allman Brothers are the giants towering over this book, but the Charlie Daniels Band, REM and others also are discussed with great feeling. The guy's personal memoir is a bit melodramatic at times, but the landmarks are very familiar.
7), The Politics of War, by Walter Karp - Karp's analysis of American involvement in the Spanish-American War and World War I is meticulously researched, well-written and utterly relevant to today's headlines. Presidential deception and illusions of infallibility, manipulation of a compliant media, slandering of principled political opponents, the unconstitutional surveillance and detainment of American citizens--all of these were at work in the efforts of Presidents McKinley and Wilson to drag a reluctant American citizenry into war. Bush is often compared to Woodrow Wilson, and this book 's portrait of the latter makes clear that such a comparison is both apt and chilling.
What the hell have I gotten myself into?!? To be continued...
